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July 05 2010
Harmony; Brendan Monroe
July 01 2010
“ "It’s no secret that the New Zealand art world has had an uneasy relationship both with her international rise and with her work for a while now. I think this is caused by three factors. First, her work demands time, and a lot of people either don’t want to, or don’t think they need to, give it the extended attention it asks for. Second, there’s a fixation with the idea that her work is primarily about abstraction, which it isn’t, and it’s therefore written off as decorative and out-of-date. Third, and perhaps most importantly, it looks out from New Zealand rather than in, participating in a global conversation about the relationship that painting has with the real world it both seeks to represent and be a part of." ”— Anthony Byrt about Judy Millar; http://eyecontactartforum.blogspot.com/2010/05/judy-millar-currently-has-show-at.html
Judy Millar: A Better Life; 2010
"Millar's installation, then, is not just an object that we are asked to quietly inspect. Demanding, playful, and sometimes outright confrontational, it pushes and pulls us towards new experiential discoveries. In doing so, it holds the promise of a better life; an optimism about our experience of the world around us, and the vital, human role that art plays within it." (see full quote here: http://www.likeyou.com/en/node/17586)
RM: Judy Millar is my current favorite New Zealand artist. She lives half a year in Auckland, NZ, and the other half in Berlin.
"Millar's installation, then, is not just an object that we are asked to quietly inspect. Demanding, playful, and sometimes outright confrontational, it pushes and pulls us towards new experiential discoveries. In doing so, it holds the promise of a better life; an optimism about our experience of the world around us, and the vital, human role that art plays within it." (see full quote here: http://www.likeyou.com/en/node/17586)
RM: Judy Millar is my current favorite New Zealand artist. She lives half a year in Auckland, NZ, and the other half in Berlin.
June 30 2010
“ Timestamp— Saul Chernick
Artist Statement 2009
We can never really revisit the past because the mind invents too much as we attempt to stitch fact and memory together. My images evoke the sensation of looking at something from an earlier time but there’s no attempt at historical accuracy. These are pictures made with the sensibility of an invented past as could only be imagined in the present. Just as the color and texture of a period film can date it more closely to the decade of it’s making rather than the era it portrays, my images bare a timestamp that will inevitably grow more apparent with age. Through projecting contemporary ideas, aesthetics, and experiences through the lens of traditional methods and motifs I aim to link past and present by revealing enduring commonalities. ”
Saul Chernick: Smile; 2009, Ink on Paper
Saul Chernick: Desktop 2013; 2010, Ink, Watercolor, & Opaque White on Paper
Reposted by
JaBB
June 14 2010
Another Walead Beshty (see previous post)
Walead Beshty; I really liked his art pieces at the Guggenheim today. NYArtBeat: "photos of the abandoned iraqi embassy in the former east berlin echo the ruined tableau depicted after being damaged by airport x-rays."
May 16 2010
April 26 2010
Amedeo Modigliani: Ritratto di Hanka Zborowska; via Rosini & C. Gallerie D'Arte
Modigliani (I'm thinking of adopting this pose while greeting people at the RWW Mobile Summit); via Freebase
April 25 2010
Amedeo Modigliani 1884 - 1920, Anna Akhmatova, Black crayon.
"This rare and moving drawing portrays Anna Akhmatova both as ancient Egyptian goddess. And poet lost in her dream."
Henri Gaudier-Brzeska, French, 1891–1915. Hieratic Head of Ezra Pound, 1914. Marble; via Jacket 28 - October 2005 - John Welch: Being There
Henri Gaudier-Brzeska carving 'Hieratic Head of Ezra Pound' (c.1914), photographed by Walter Benington; via TATE ETC. - Europe's largest art magazine
April 13 2010
Modigliani - The complete works
Italian website that seems to be fairly comprehensive collection of Modigliani works.Amedeo Modigliani Online
Best resource I've found so far on where originals of Modigliani paintings are located.Anna Zborowska; Amedeo Modigliani
1917. Oil on canvas, 51 1/4 x 32" (130.2 x 81.3 cm). Lillie P. Bliss Collection
via Portrait-of-Anna-Zborowska-1917-Amedeo-Modigliani.jpg (JPEG Image, 396x649 pixels)Original at MOMA, NYC
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