Newer posts are loading.
You are at the newest post.
Click here to check if anything new just came in.
Click here to check if anything new just came in.
August 29 2010
Xul Solar: Mwi Waiteyu (My wait for you), 1961
August 27 2010
Tú y Yo (Spanish, means "You and I"); by Argentine artist Xul Solar, 1923 -- I'm still working it out... (via :: MUSEO XUL SOLAR ::)
August 22 2010
Went and saw John Pule exhibition today at City Gallery Wellington. Very impressed by his art.
August 16 2010
August 15 2010
Joan Mitchell, Untitled, 1968—1969
Oil on canvas; from Sunflowers exhibition, 2009.
"Her Sunflower works count amongst the most experimental and vibrant of all her pieces. [...] Mitchell considered sunflowers to be ‘like people’ — subjects to empathise with whose life cycles were played out with exuberance but brutal swiftness. ‘If I see a sunflower drooping, I can droop with it,’ she explained, ‘and I draw it, and feel it until its death.’ Like van Gogh whose precedent she was brave enough to summon, she embraced sunflowers for their hopefulness as much as for their assertive and undeniable splendour. Her images do not much resemble the plants themselves: they are blue and red as well as golden, erratically dancing sweeps of colour that communicate internal as much as external landscape."
August 08 2010
This is the best approximation I can do of the painting 'Door 84' by Dorothea Tanning. The right side is the cover to Alice Fulton's 'Felt' book. I couldn't find the original painting anywhere online, so I had to Photoshop it from Amazon's images from the book :/ Tanning is a pretty famous Surrealist painter, so I'm surprised this painting isn't online somewhere.
Joan Mitchell, White Territory; via UMMA Collections - American Art (best image I could find of this painting)
It inspired Alice Fulton's poem 'Close' - from her book 'Felt.'
== I miss you when I visit you ==
I stand too close == I see too much ==
August 29 2010
Xul Solar: Mwi Waiteyu (My wait for you), 1961
August 27 2010
Tú y Yo (Spanish, means "You and I"); by Argentine artist Xul Solar, 1923 -- I'm still working it out... (via :: MUSEO XUL SOLAR ::)
August 22 2010
Went and saw John Pule exhibition today at City Gallery Wellington. Very impressed by his art.
August 16 2010
August 15 2010
Joan Mitchell, Untitled, 1968—1969
Oil on canvas; from Sunflowers exhibition, 2009.
"Her Sunflower works count amongst the most experimental and vibrant of all her pieces. [...] Mitchell considered sunflowers to be ‘like people’ — subjects to empathise with whose life cycles were played out with exuberance but brutal swiftness. ‘If I see a sunflower drooping, I can droop with it,’ she explained, ‘and I draw it, and feel it until its death.’ Like van Gogh whose precedent she was brave enough to summon, she embraced sunflowers for their hopefulness as much as for their assertive and undeniable splendour. Her images do not much resemble the plants themselves: they are blue and red as well as golden, erratically dancing sweeps of colour that communicate internal as much as external landscape."
August 08 2010
This is the best approximation I can do of the painting 'Door 84' by Dorothea Tanning. The right side is the cover to Alice Fulton's 'Felt' book. I couldn't find the original painting anywhere online, so I had to Photoshop it from Amazon's images from the book :/ Tanning is a pretty famous Surrealist painter, so I'm surprised this painting isn't online somewhere.
August 29 2010
Xul Solar: Mwi Waiteyu (My wait for you), 1961
August 27 2010
Tú y Yo (Spanish, means "You and I"); by Argentine artist Xul Solar, 1923 -- I'm still working it out... (via :: MUSEO XUL SOLAR ::)
August 22 2010
Went and saw John Pule exhibition today at City Gallery Wellington. Very impressed by his art.
August 16 2010
August 15 2010
Joan Mitchell, Untitled, 1968—1969
Oil on canvas; from Sunflowers exhibition, 2009.
"Her Sunflower works count amongst the most experimental and vibrant of all her pieces. [...] Mitchell considered sunflowers to be ‘like people’ — subjects to empathise with whose life cycles were played out with exuberance but brutal swiftness. ‘If I see a sunflower drooping, I can droop with it,’ she explained, ‘and I draw it, and feel it until its death.’ Like van Gogh whose precedent she was brave enough to summon, she embraced sunflowers for their hopefulness as much as for their assertive and undeniable splendour. Her images do not much resemble the plants themselves: they are blue and red as well as golden, erratically dancing sweeps of colour that communicate internal as much as external landscape."
August 22 2010
Went and saw John Pule exhibition today at City Gallery Wellington. Very impressed by his art.
August 16 2010
Older posts are this way
If this message doesn't go away, click anywhere on the page to continue loading posts.
Could not load more posts
Maybe Soup is currently being updated? I'll try again automatically in a few seconds...
Maybe Soup is currently being updated? I'll try again automatically in a few seconds...
Just a second, loading more posts...
You've reached the end.





